Inspired by a recent article on Digital Photography School I would also like to present some ideas for shooting beautiful impressionist images. Often in photography we strive to create realistic images, which are super-sharp and capturing what the eye actually sees. Of course, what the eye sees can vary – in her article Anne McKinnel talks of ‘the impression a scene leaves in your mind when you glance at it quickly and then look away before giving your eyes a chance to focus’, but of course the eye plays other tricks than this. Think of a fast moving train, and the streaking lines – I have read that a shutter speed of 1/60s most closely captures what the eye sees (though this is very different from the ‘shutter speed’ of the eye). But think of other tricks the eye can play – squinting so that images become blurred, the loss of perception at the peripheral vision and so on, or how things look when you are drunk. Learning to use some of these tricks can create beautiful abstract images that play with the mind.
The classic long exposure technique is to place your camera steady on a tripod, or some other convenient surface and shoot a long exposure image. This is often used for traffic trails as in this image of the A660 as it leaves Leeds. This was taken during the rush hour traffic with an exposure of 2 seconds. I balanced the camera on the barrier rail. As you can see, the traffic has been rendered all but invisible with just its lights evident as light trails, and the people walking along the street are ghostlike and transparent, but the steady surface leaves the rest of the scene sharp. Continue Reading “Abstract Impressionism – Part one: Motion”