The Olympus µ[mju:]-ii is one of my favourite cameras. It is not without faults, but is quite an innovative bit of kit – They often sell for quite a bit though I got mine for a fiver I think, maybe even less…
The Olympus µ[mju:]-ii was produced in 1997 and won a number of awards for design and features. The Mju ii – also known as the ∞ Stylus Epic in the US was obviously the second in the line, which continued with a number of variations with various zoom lengths and so on.
It is a sleek small design, which manages to be both angular and curved at the same time, it fits easily into a pocket and is light and quick to use. It has a built in flash, a sliding lens cover, and on the rear is an LCD panel with two buttons which control the flash and the timer/remote, and a further two for the date function.
Some innovative features are the splashproof exterior (it is rumoured to dry out pretty well even if it has got water inside it), and the fact that pressing the two buttons together activate a spot metering function.
It has 6 flash modes – Auto, Red-eye Reduction, Off, Fill-in, Night Scene, Red-eye Reduction Night Scene – though sadly the flash is one of its weak points, as auto seems to translate as on, except in the brightest conditions, and closing the shutter resets whatever settng you did have back to auto. However, the Night Scene is lovely, a slow sync which meters for the background and fires the flash which combined with a slow shutter speed of up to 4 seconds is very nice indeed. The flash also has ‘colour balancing’ which I am not quite sure about – I guess this reads the colour of the ambient light and changes that of the flash, though I have not found out anywhere how this actually works. The flash range is listed as 4.1m at ISO 100, 5.8m at ISO 200 and 8.2m at ISO 400.
The lens is a standard 35mm offering, but with a wide aperture of f/2.8, constructed of 4 elements in 4 groups. Unfortunately though, this is the second negative point as the lens is often set wide open via a very aggressive shutter speed priority. Close focus is 1.1m and there are parallax correction marks in the viewfinder for this distance.
The autofocus has three points, which prioritize the closest one if more than one is locked to a suitable subject. In spot metering mode only the central one of these is used. These correspond to a line across the viewfinder frame. If none of these is activated infinity focus is set.
Antique & Classic Cameras provides a comprehensive discussion of the Mju ii’s exposure, based on his tests and some information gleaned from the repair manual. Basically, he notes that with ISO 100 film, you will never get the aperture smaller than f/8, and anything under EV10 is likely to be shot at f/2.8 where sadly much of the sharpness of what could be a very sharp lens is lost.
Extrapolating from the information provided we can create the following exposure table:View Table
|4||Candle lit close ups, under streetlights||f/2.8||1|
|5||Night home interiors||f/2.8||½|
|6||Fairs, amusement parks||f/2.8||¼|
|7||Bright night time streets, stage shows||f/2.8||1/8|
|8||Bright city squares, bright fluorescent lit interiors||f/2.8||1/15|
|9||Landscapes 10 minutes after sunset||f/2.8||1/30||2|
|10||Landscapes immediately after sunset||f/2.8||1/60|
|12||Open shade, heavy overcast||f/4||1/125|
|13||Cloudy Bright – no shadows||f/4||1/250|
|14||Weak hazy sun||f/5.6||1/250|
|15||Bright hazy sun||f/5.6||1/500|
|16||Bright sun – sand or snow||f/8||1/500|
|17||Rarely found in nature||f/8||1/1000|
|4||Candle lit close ups, under streetlights||f/2.8||½|
|5||Night home interiors||f/2.8||¼|
|6||Fairs, amusement parks||f/2.8||1/8|
|7||Bright night time streets, stage shows||f/2.8||1/15|
|8||Bright city squares, bright fluorescent lit interiors||f/2.8||1/30|
|9||Landscapes 10 minutes after sunset||f/2.8||1/60|
|10||Landscapes immediately after sunset||f/2.8||1/125|
|12||Open shade, heavy overcast||f/4||1/250|
|13||Cloudy Bright – no shadows||f/5.6||1/250|
|14||Weak hazy sun||f/5.6||1/500|
|15||Bright hazy sun||f/8||1/500|
|16||Bright sun – sand or snow||f/8||1/1000|
|17||Rarely found in nature||f/11||1/1000|
|4||Candle lit close ups, under streetlights||f/2.8||¼|
|5||Night home interiors||f/2.8||1/8|
|6||Fairs, amusement parks||f/2.8||1/15|
|7||Bright night time streets, stage shows||f/2.8||1/30|
|8||Bright city squares, bright fluorescent lit interiors||f/2.8||1/60|
|9||Landscapes 10 minutes after sunset||f/2.8||1/125|
|10||Landscapes immediately after sunset||f/4||1/125|
|12||Open shade, heavy overcast||f/5.6||1/250|
|13||Cloudy Bright – no shadows||f/5.6||1/500|
|14||Weak hazy sun||f/8||1/500|
|15||Bright hazy sun||f/8||1/1000|
|16||Bright sun – sand or snow||f/11||1/1000|
|17||Rarely found in nature||f/11||1/1000||3|
|4||Candle lit close ups, under streetlights||f/2.8||1/8|
|5||Night home interiors||f/2.8||1/15|
|6||Fairs, amusement parks||f/2.8||1/30|
|7||Bright night time streets, stage shows||f/2.8||1/60|
|8||Bright city squares, bright fluorescent lit interiors||f/2.8||1/125|
|9||Landscapes 10 minutes after sunset||f/4||1/125|
|10||Landscapes immediately after sunset||f/4||1/250|
|12||Open shade, heavy overcast||f/5.6||1/500|
|13||Cloudy Bright – no shadows||f/8||1/500|
|14||Weak hazy sun||f/8||1/1000|
|15||Bright hazy sun||f/11||1/1000|
|16||Bright sun – sand or snow||f/11||1/1000||3|
|17||Rarely found in nature||f/11||1/1000||4|
|4||Candle lit close ups, under streetlights||f/2.8||1/15|
|5||Night home interiors||f/2.8||1/30|
|6||Fairs, amusement parks||f/2.8||1/60|
|7||Bright night time streets, stage shows||f/2.8||1/125|
|8||Bright city squares, bright fluorescent lit interiors||f/4||1/125|
|9||Landscapes 10 minutes after sunset||f/4||1/250|
|10||Landscapes immediately after sunset||f/5.6||1/250|
|12||Open shade, heavy overcast||f/8||1/500|
|13||Cloudy Bright – no shadows||f/8||1/1000|
|14||Weak hazy sun||f/11||1/1000|
|15||Bright hazy sun||f/11||1/1000||3|
|16||Bright sun – sand or snow||f/11||1/1000||4|
|17||Rarely found in nature||f/11||1/1000||5|
|4||Candle lit close ups, under streetlights||f/2.8||1/30|
|5||Night home interiors||f/2.8||1/60|
|6||Fairs, amusement parks||f/2.8||1/125|
|7||Bright night time streets, stage shows||f/4||1/125|
|8||Bright city squares, bright fluorescent lit interiors||f/4||1/250|
|9||Landscapes 10 minutes after sunset||f/5.6||1/250|
|10||Landscapes immediately after sunset||f/5.6||1/500|
|12||Open shade, heavy overcast||f/8||1/1000|
|13||Cloudy Bright – no shadows||f/11||1/1000|
|14||Weak hazy sun||f/11||1/1000||3|
|15||Bright hazy sun||f/11||1/1000||4|
|16||Bright sun – sand or snow||f/11||1/1000||5|
|17||Rarely found in nature||f/11||1/1000||6|
|4||Candle lit close ups, under streetlights||f/2.8||1/60|
|5||Night home interiors||f/2.8||1/125|
|6||Fairs, amusement parks||f/4||1/125|
|7||Bright night time streets, stage shows||f/4||1/250|
|8||Bright city squares, bright fluorescent lit interiors||f/5.6||1/250|
|9||Landscapes 10 minutes after sunset||f/5.6||1/500|
|10||Landscapes immediately after sunset||f/8||1/500|
|12||Open shade, heavy overcast||f/11||1/1000|
|13||Cloudy Bright – no shadows||f/11||1/1000||2|
|14||Weak hazy sun||f/11||1/1000||3|
|15||Bright hazy sun||f/11||1/1000||5|
|16||Bright sun – sand or snow||f/11||1/1000||6|
|17||Rarely found in nature||f/11||1/1000||7|
|Notes:1) One stop under exposed2) With a small light camera and focal length of 35mm the camera could start closing the aperture here
3) One stop over exposed
4) Two stops over exposed
5) Three stops over exposed
6) Four stops over exposed
7) Five stops over exposed
Like many point and shoot cameras, the Mju ii does not read fractional film speeds. Films speeds are read as follows, which prioritizes over exposure as most films perform better and have more latitude over exposed:
|Film Speed||ISO Set|
|25, 32, 40||25|
|50, 64, 80||50|
|100, 125, 160||100|
|200, 250, 320||200|
|400, 500, 640||400|
|800, 1000, 1250||800|
|1600, 2000, 2500||1000|
|3200, 4000, 5000||3200|
Tips and tricks
To shoot sharp in decent light use ISO 400 film. Anything less and the lens won’t stop down beyond f/8.
The camera can handle low light, but it is not a low light camera. If you have a very steady hand you would just about shoot inside with no flash and ISO 200 film (at 1/8s), certainly at ISO 400 (1/15s) as the camera is so light.
Using ISO 1600 or 3200 film, you can shoot night street shots with no flash quite easily, but remember you will be at f/2.8 – but this is the same as any camera handheld.
Anything ISO 800 and above could over expose bright scenes outside.
Where this camera probably excels is shooting a close subject with a blurred background – the classic shallow depth of field effect. With the preferred wide aperture, and the spot metering capabilities this camera is perfect for this technique – I think this may be a part of the aim, to make snapshots of people look good!
Make sure that the focus has locked before taking the shot – it is easy to press the shutter all the way too quick and this can very easily result in blurred shots with the limited depth of field from the wide aperture.
Watch for red-eye. The flash is so close to the lens it is very likely, and the red eye reduction mode takes so long before it takes the shot that your subject is quite likely to have got bored…
Lens: 35mm, f/2.8, focusing from 0.35m-infinity. (4 elements in 4 groups).
Autofocus: Active multi-beam autofocus with focus lock.
Film format: 35mm DX-coded film, ISO 50-3200.
Exposure: Automatic, EV 1-17, (f/2.8, 4s -f/11, 1/1000s).
Metering: Evaluative, Spot.
Flash: Integrated colour-balanced flash. Recharges in 3.5 seconds, working range 4.1m at ISO 100. Flash modes: Auto, red-eye reduction, suppressed, forced/fill-in, night scene (slow sync up to 4 seconds).
Display: LCD with battery check and frame counter.
Date Stamp: Time/date stamp (Quartzdate model only).
Remote: Optional RC-200 remote control.
Case: Weatherproof (resistant to splashes).
Power: 3V lithium CR123|CR123A.
Dimensions: 108 x 59 x 35mm, 135g (without battery).
View my sets on Flickr using the Olympus µ[mju:]-ii
Olympus µ[mju:]-ii Review on Antique and Classic Cameras
Olympus µ[mju:]-ii on La Collection d’Appareils
Olympus µ[mju:]-ii review on photo.net (with some useful comments)
Page on Olympus Global History
Review by Jim Simon
Review on The Lost Compass
Set by Frank Horvat using an Olympus µ[mju:]-ii
Flickr Group for the µ[mju:]-ii
Another Flickr Group for the µ[mju:]-ii